No way - SIX rehearsals

 

'No way' rehearsal - Monday 26th September 
No way rehearsal - October 3rd 

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Key stylistic features of Contemporary Dance

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 Contemporary dance is an expressive and emotion-led form of dance. It was pioneered by figures such as Ruth Saint Denis and Martha Graham and its aim was to break the rules at a time when only ballet was considered prestigious. The movements and routines relied on experimentation and self-expression rather than technique.  Positions of the feet: Rather than balletic pointed feet, contemporary dances use flexed feet (often barefoot), meaning the foot is bent at the ankle.  In this image, the person's feet are flexed rather than pointed, giving the leap a sense of freedom. In contemporary dance, we use parallel position. This means that the knees and feet both face the front, meaning the feet are in line with each other in a way that resembles train tacks. Again this contrasts ballet, where everything is turned out (like first position for example). The use of gravity and the transferring of weight Contemporary dance is very grounded and relies on the idea of falling, whic...
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The Music Dance relationship 2

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  Task One The time signature is 4/4, meaning there are 4 beats per bar. A full pulse note is called a crotchet and a half pulse note is called a quaver. In this extract, on 'SHH' we do a 'lips are sealed' action with our hands while moving our head in the opposite direction to our hand. This movement lasts half a beat so it has a quaver time value. The 'SHH' happens in the second beat of the bar (in the second half of the second beat, as it only has a half pulse/quaver time value) Task Two The time signature of this extract is 4/4 meaning there are 4 beats in each bar. At bar 118, the time signature is still the same as in bar 110 however the tempo has decreased, creating significant contrast. This use of contrast is important because the song goes from being angry and sassy to more melancholic and desperate in this section.   Our dancing in this section greatly contrasts our dancing for the rest of the song. In this section, our movements are sustained, elonga...
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